Summary
Description | Black and White image of Wilhem Fenner, who was a top German cryptanalyst and mathematician, during World War II. Image is 187 x 269pixels, size 5kb. |
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Author or copyright owner |
David Alvarez, Taylor and Francis Online |
Source (WP:NFCC#4) | http://www.tandfonline.com/doi/abs/10.1080/01611190601038225?journalCode=ucry20 |
Date of publication | 17th August 2016 |
Use in article (WP:NFCC#7) | Wilhelm Fenner |
Purpose of use in article (WP:NFCC#8) | For visual identification of the object of the article. The article as a whole is dedicated specifically to a discussion of this work. |
Not replaceable with free media because (WP:NFCC#1) |
n.a. |
Minimal use (WP:NFCC#3) | Image is small, 4.7kb, and 187 x 269 pixels. The image only shows the man and nothing else. |
Respect for commercial opportunities (WP:NFCC#2) |
n.a. |
Other information | Picture of a dead cryptanalyst who was the Chief Cryptologist and Director of OKW/Chi, the primary signals intelligence agency of the Third Reich during World War II. Only two images exist, and the other organization has watermarked their file, precluding its use. The image only shows his face and nothing else. It is an identification picture. |
Fair useFair use of copyrighted material in the context of Wilhelm Fenner//en.wikipedia.org/wiki/File:Wilhelm_Fenner.jpgtrue |
Licensing
This image is a faithful digitisation of a unique historic image, and the copyright for it is most likely held by the person who created the image or the agency employing the person. It is believed that the use of this image may qualify as non-free use under the Copyright law of the United States. Any other uses of this image, on Wikipedia or elsewhere, may be copyright infringement. See Wikipedia:Non-free content for more information. Please remember that the non-free content criteria require that non-free images on Wikipedia must not "[be] used in a manner that is likely to replace the original market role of the original copyrighted media." Use of historic images from press agencies must only be of a transformative nature, when the image itself is the subject of commentary rather than the event it depicts (which is the original market role, and is not allowed per policy). | |||
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