Tom Taylor | |
---|---|
Born | 1925 Christchurch |
Died | 1994 Christchurch |
Nationality | New Zealand |
Alma mater | Canterbury University College |
Known for | Sculpture, architecture and teaching |
Movement | Sculptural modernism |
Tom Taylor (1925–1994) was a New Zealand sculptor, architect, and Head of Sculpture at the University of Canterbury.
History
Tom Taylor was born in Christchurch in 1925. He completed his schooling at St Kevin's College, Oamaru, passing the examination for university entrance (or matriculating) at 14 years old. However, World War II interrupted his studies. He joined the Royal New Zealand Navy and served overseas for the last two years of the war. After the war, Taylor studied architecture and sculpture.
He was an educator in Christchurch throughout his working life, first as an art teacher at St Andrew's College then, from 1960 to 1991, as a lecturer at the University of Canterbury’s Ilam School of Fine Arts. He specialised in sculpture.
A number of Taylor's students went on to become well-known sculptors. They include Chris Booth, Paul Cullen, Bing Dawe, Neil Dawson, John Panting, Phil Price, Pauline Rhodes, Carl Sydow, Merylyn Tweedie and Boyd Webb. In a 2013 interview, Dawson remembered Taylor as a highly intelligent but tough sculpture and art history lecturer who broadened the horizons of his students beyond art. Dawson said "[Taylor] set challenges which would last for the rest of your life, and you can't ask for more than that from your teacher."
Taylor was also closely connected to the Christchurch art scene. He exhibited with The Group in 1963, 1965 and 1966 and in 1968 helped colleague John Coley set up 20-20 Vision, an artist collective that produced a number of exhibitions and prints. The same year Taylor was awarded a Guthrey Travel Grant to Australia where he was influenced by the work of Australian sculptor Clement Meadmore. In 1969 Taylor was granted a Queen Elizabeth II Arts Council Travel Grant to visit Verona and Munich and study bronze and steel sculpture techniques with the Italian artist Quinto Ghermandi and the German Ruldolf Hoffenher. Taylor was also involved in designing sets for a number of Christchurch theatre productions.
Architecture
Although he only trained for two years, Taylor designed a number of houses including the Sutton House, which has been listed as a Category I Heritage Building by the New Zealand Historic Places Trust. The Sutton House was built in 1963 at 20 Templar Street, Christchurch as a home and studio for painter Bill Sutton. Sutton and Taylor both taught at the art school and were friends. (Taylor is the model in one of Sutton's well known paintings Saint Sebastian that featured in the Sutton retrospective as catalogue number 19) The house was slated for demolition after the 2010 Christchurch earthquake but was saved by a public campaign and is now an artist's residency run by the Christchurch Art Gallery. Taylor also designed a house for well-known children's writer Margaret Mahy and a studio for another colleague, the painter Doris Lusk. Other houses designed by Taylor can be found at 6 Sherwood Lane, Cashmere and 2202 West Coast Road, Christchurch.
Commissions
- 1960: Canterbury Brevet Club
- 1970: IBM Centre on The Terrace, Wellington
- 1973: Fountain for the entrance of the Commonwealth Games Complex at Queen Elizabeth II Park, Christchurch
- 1976: Medical School Building, University of Auckland
References
- ^ a b c "Mr Tom Taylor, Sculptor". Obituary. The Press. Christchurch. 22 July 1994. p. 22.
- ^ Barton, Christina (22 October 2014). "The Rise of Post-Object Art". Te Ara - the Encyclopedia of New Zealand. Retrieved 3 February 2025.
- ^ Roberts, Neil; Milburn, Felicity (2000). A Concise History of Art in Canterbury 1850–2000. Christchurch, N.Z.: Robert McDougall Art Gallery. p. 68. ISBN 0-908874-91-X. OCLC 155531143.
- ^ Moore, Christopher (10 June 2013). "Conjuring Space and Freedom". The Press. Christchurch – via Stuff.
- ^ "The Group: Catalogues". Retrieved 18 April 2023.
- ^ "20:20 Vision". Retrieved 17 April 2023.
- ^ "Tom Taylor: Recent Sculpture". Ascent: A Journal of Arts in New Zealand. 1 (2): 30–31. 1968.
- ^ "Arts Council Grants". The Press. Christchurch. 29 May 1969. p. 18. Retrieved 13 January 2025 – via Papers Past.
- ^ "'Peer Gynt' for Hay Theatre". The Press. Christchurch. 21 November 1972. p. 10. Retrieved 13 January 2025 – via Papers Past.
- ^ Walton, Steven (10 March 2022). "Historic Bill Sutton House Formally Recognised as Category I Heritage Building". The Press. Christchurch – via Stuff.
- ^ "Sutton House and Garden". Retrieved 18 April 2023.
- ^ "W.A.Sutton: A Retrospective". Retrieved 18 April 2023.
- ^ Law, Tina (7 March 2021). "Art Is Once Again Being Created at Bill Sutton's Former Home". The Press. Christchurch – via Stuff.
- ^ "Margaret Mahy's Former Banks Peninsula Home Relisted After Community Bid Fails". Otago Daily Times. Dunedin. 22 November 2021.
- ^ "Sutton House and Garden Listed As Category I Historic Place". 11 Mar 2022. Retrieved 18 April 2023.
- ^ "£16,000 Building for Brevet Club Memorial". The Press. Christchurch. 22 January 1959. p. 9. Retrieved 13 January 2025 – via Papers Past.
- ^ "Sculpture for New Building". The Press. Christchurch. 8 September 1970. p. 9. Retrieved 13 January 2025 – via Papers Past.
- ^ Hill, Martin (17 April 1971). "IBM Centre on The Terrace". Wellington Townscape. The Dominion Weekend Magazine. Wellington. p. 15.
- ^ "Christchurch Fountain at Q.E. Park". The Press. Christchurch. 2 April 1973. p. 18. Retrieved 13 January 2025 – via Papers Past.
- ^ "University of Auckland Art Collection: Transit". University of Auckland. n.d. Retrieved 31 January 2025.
- ^ Pollock, Kerryn (22 October 2014). "Public and street art - Public sculpture". Te Ara - the Encyclopedia of New Zealand. Retrieved 31 January 2025.